The 1950s witnessed the essential significant theater puppetry designers in Latin America. In Mexico, the instructor Roberto Lago (1903-1995), co-founder for the Teatro Guignol which operated amongst the end associated with the 1940s as well as the 1950s that are mid created the Grupo El Nahual with Lola Cueto (1897-1978). Lago proved an excellent influence perhaps not just inside the nation but additionally in Venezuela. Irrespective of their research focus on the origins of Mexican puppetry, he had been one of several great dramaturges of children’s theater. Their paper, La Hoja del titiritero independiente (The Independent Puppeteer Newspaper) ended up being a standard and brought numerous Latin US and global puppeteers into contact. Mexico had been among the countries that distinguished it self using puppetry for literary promotions when the character of Don Ferruco, developed by Gilberto Ramirez Alvarado, played a role that is vital.
The Argentines Mané Bernardo (1913-1991) and Sarah Bianchi (1922-2010) had been additionally fundamental into the advertising of puppetry arts in Latin America, going to the absolute most regions that are remote Argentina along with other nations. Works developed by Mané Bernardo are extremely respected and studied in universities while her pupil and buddy Sarah Bianchi’s strive to the remains a reference for many puppeteers day.
The itinerant tradition is mainly represented by Javier VillafaГ±e (1909-1996), whom travelled the whole sub-continent along with his cart, leading to the introduction of puppetry arts through his shows, seminars and workshops, particularly in Uruguay, Venezuela and Chile. He additionally left a repertoire that is important along with his Los Angeles Calle de los Fantasmas (the road of Ghosts) was regularly performed for quite some time by a number of troupes.
Other Argentines – Juan Enrique Acuña (1915-1988), therefore the brothers Héctor and Eduardo Di Mauro – additionally played roles that are important disseminating puppetry, in specific in Venezuela and Costa Rica.
In central countries that are americanHonduras, Guatemala and particularly the Dominican Republic), puppet theatre catered to children and was nurtured in schools.
The Modern Scene
A number that is large of presently in existence had been produced within the 1970s. After years of experimentation, these teams have finally get together into the look for a particular visual language beyond the assorted methods of manipulation. In reality, throughout the 1990s puppet theater gained power across Latin America. Along with conventional glove puppetry, other strategies – rod puppetry, string puppetry, shadow theater, black colored (light) theater, blended methods, noticeable manipulation, item theater, tabletop puppetry – are now explored. Actors, objects, puppets, music and dance intermingle in present styles in European countries therefore the united states of america. Another method fashionable is “las cajas misteriosas” (mysterious bins) where in fact the spectator views a quick performance through a peephole. The pioneers in this domain are Mariana Frare in Rosario, Argentina, Mónica Simões in Brazil, and also the Baúl Teatro in Monterrey, Mexico. New organizations of puppeteer-storytellers, like Las Mentirosas in Mexico and Zaguán in Chile, have actually revisited and included within their work ancient traditions from Guatemala and Honduras called perras.
Puppetry can also be getting used to a larger degree in the area of therapy, for the treating psychiatric problems, muscular infection or bone tissue condition, and it is especially practised in Uruguay, Argentina, Brazil and Chile (see Society and Puppets – Social Applications of Puppetry).
Regardless of festivals, lots of museums are helping popularize puppet that is local. In Argentina, the Museo Argentino del TГtere is made in Buenos Aires by ManГ© Bernardo and Sarah Bianchi. Meanwhile, another museum is made in Los Angeles Plata by Moneo Sanz. In Brazil, you can find the Museu do Mamulengo, the Museu Giramundo created at Belo Horizonte in 2001, while the Museum of Popular/Folk Art, Museu Casa do Pontal, operating out of the borders of Rio de Janeiro. The Museo-Teatro La Casa de los TГteres de BaГєl Teatro in Monterrey, the Museo Rafael Coronel at Zacatecas, and the Museo del TГtere de QuerГ©taro (Puppet Museum of the State of QuerГ©taro) in Mexico, there are the Museo Nacional del TГtere – Huamantla. In Uruguay, the Museo Vivo del TГtere (Living Museum of Puppetry) are available in Maldonado. La DignificaciГіn del Teatro de MuГ±ecos (FAMADIT) in Chile, there is the travelling exhibits of the FundaciГіn para. Venezuela gets the TГteres that is private Artesanales Mundo (Puppet Craft World) owned by Norma R. Bracho. Forum and web web crossdresser heaven hesap silme sites are increasingly being dedicated to puppetry, particularly in Argentina, Brazil and Mexico.
In whatever kind, the art of puppetry in Latin America is alive and well without any hint of vanishing any time soon.
